Showing posts with label The Wizard of Oz. Show all posts
Showing posts with label The Wizard of Oz. Show all posts

Wednesday, January 25, 2012

The Wonderful Wizard of Oz Trivia

More Than You Want to Know About The Wonderful Wizard of Oz



Probably the most popular children’s film of all time, and listed as the top fantasy by the American Film Institute, the 1939 film was released to mixed reviews (Harvard Lampoon awarded it “worst film of all-time”) and commercial failure (according to some sources, it broke even) after being MGM’s most expensive production up to that time at an estimated four million.

Later, when televisions went into every household, the studio wisely saw a new market, licensing the film for decades beginning in 1956, and recouping it’s original cost, soared into profitability, and developing a new audience from repeated showings on the small screen. The film was the first complete film shown uncut on commercial tv in one evening. After 1959, it was then shown annually for years as a pre-Christmas event, always on the second Sunday in December.

The Original Children’s Literature

The Great and Powerful Oz, as he was known in his own land, actually is the psdeudonym of a character named Oscar Zoroaster Phadrig Isaac Norman Henkel Emmannuel Ambroise Diggs, (who sometimes abbreviated his name: O.Z.P.I.N.H.E.A.D.; then since it read pinhead, he shortened that to simply Oz). He was created by author L. Frank Baum, in his children’s novel The Wonderful Wizard of Oz (1900). In the book, he appears to each character separately, and in different forms: as a giant head, as a beautiful fairy, as a ball of fire, and as a horrible monster. When he meets them all, he seems invisible, just a disembodied voice.

As the real person, and not a wizard, he was nothing more than a performer in a circus, largely doing magic, who wrote his name Oz on the side of a hot-air balloon, which left Kansas one day and heavy winds blew them away, eventually landing in the Land of Oz. At the time, it had no ruler, so he was seen as sorcerer and made the supreme leader of the land. After he leaves Oz at the end of the book, in subsequent books the scarecrow first rules, then the rightful heir is enthroned, The Princess Ozma, freed from the wicked witch Mombi, to whom she was handed by Oz himself, who saw an opportunity to seize power over the superstitious populace.

Dorothy Gale is blown to Oz by a Kansas tornado, which causes debris to strike her on the head just as the journey begins. Of course, in the book she visits a real fantasy world, but in the film, it’s implied that she is merely in an unconscious coma and dreams up the entire story.

In the fourth Oz book, Dorothy and the Wizard of Oz (1908), Dorothy returns to Oz after visiting cousin Zeb in California, and they are swallowed up by an earthquake and returned to Oz via underground.

In all, Baum wrote 14 Oz books, from the original in 1900, to Glinda of Oz in 1920. In the eighth book, Tik-Tok of Oz (1914), he introduces Oz to mobile phones! The inspiration for the character of Dorothy appears to be Alice in Wonderland, each are little girls who visit fantasy realms. The name came from his niece, Dorothy Louise Gale, who died in infancy.


The Wizard of Oz Film (1939)

Two different musical stage versions of the book were produced in both 1901 and 1902. The latter appeared on Broadway in 1903, and toured the country until 1909.

The celebrated version of the film is actually the third filming of the original novel. Silent versions appeared in 1910 and 1925.

Rights to the film were bought by MGM from Samuel Goldwyn, who wanted it as a vehicle for Eddie Cantor, who was to play the Scarecrow.

According to Wikipedia, there are at least 44 identifiable difference in the 1939 film from the original book. Most notable was that in the books, Oz was a real place, while it was a dream in the film. In a later book, Auntie Em and Uncle Henry take refuge in Oz when they can’t pay the mortgage on the new house built after the tornado removed their first house, which is miraculously intact at the end of the film.

Because fantasy films had not fared well at the box office, it was suggested before filming that the film tone down any references to fantasy or magic.

Screenwriter Herman L. Manckiewicz, who later co-wrote Citizen Kane with Orson Welles, turned in the first major screenplay re-write very quickly. At least three other screenwriting ‘teams’ were also hired, each without knowledge of the others, and the final mishmash of everyone’s efforts was eventually worked on by an estimated 17 authors.

The cowardly lion is not a main character in the book, so it has a minor appearance in the 1925 silent film.


Even though Dorothy is a little girl in the books, 16 year old Judy Garland is chosen to play her in the 1939 film, and they had to use either a corset or a brace, depending on whom you read, to suppress her adult breasts and render her flat-chested. This still reportedly didn’t keep the cast from hitting on Judy, especially the actors playing the munchkins. Even as a kid, I thought she was awfully large for a girl, she’s as big as all the men she travels with except for the lion (even though Garland is listed at 4 foot 11 inches). The original choice was Shirley Temple, who was to have been borrowed from Fox in exchange for Clark Gable and Jean Harlow, whose tragic early death made that impossible, allowing Garland to get her big break. The studio originally had her in a blonde wig and heavy makeup. Director George Cukor thankfully forced the studio to let her be more natural.

Judy Garland’s real name was Frances Ethel Gumm, and her nicknames were Joots, Miss Show Business and Baby Gumm. She chose the name Judy from a popular 30's song - or it was chosen for her by Louis B. Mayer, depending on who you read. Her salary was just $500 per week, and the Cairn terrier who played Toto, named Terry, was the only cast member paid less, at $125 per week for it’s trainer Carl Spitz. The film’s credits list the dog as Toto ‘as himself’, not as Terry. She ended up receiving a special 'juvenile' Oscar, a smaller statue, for this performance.

Most of the 124 munchkin actors were from Europe and didn’t speak English, as they could find enough little people in Hollywood. Their voices were dubbed by American actors, then sped up to create their high-pitched sound. This is why the voices don’t appear well-synced at all in the film. It was also rumored that they had wild parties and even orgies, something they later denied.

The Lollipop Guild actors wanted to
give Judy a different kind of treat

Screen dancer Buddy Ebsen was all set to play the tin man, and had an allergic reaction to the makeup made from aluminum. The aluminum powder was breathed into his lungs, coating them, and he ended up in an iron lung in the hospital; this gave him healthy problems throughout his career, and it wasn’t until his role as Jed Clampett on tv’s Beverly Hillbillies that he again achieved any notoriety as a star.

The film was shot entirely on MGM’s sound stages (which is obvious as Oz has little but perfectly flat ground beneath their feet), but the number of sets totalled 94, so they were each destroyed as later sets had to be built on the same stages.

The always popular song Over the Rainbow was originally cut from the film after bad reaction from preview audiences. After all, musically the song stands apart from all the children’s level songs like "Follow the Yellow Brick Road" and "If I Only Had a Heart", and the adult sentiment of the song hardly seems like that of a little girl. The song was inserted later, and won the Oscar® for best song. As a children’s film, how many kids would be enthralled by that song for three minutes? When I was a kid, we booed any cowboy that kissed a girl or started singing.

One pair of the ruby slippers worn by
Dorothy once sold at auction
for just $10,000


Margaret Hamilton, as the wicked witch, was badly burned on her face and hands during her ball of fire exit from Munchkinland, and had to hospitalized; she didn’t return to the cast for six weeks. The take used in the film is the first one because she was burned on the second take, before she fell through a trap door in the stage, assisted by a malfunctioning elevator. She later refused to ride the broomstick billowing smoke, and her stand-in Betty Danko was injured filming that scene.

At the film’s end, it’s unclear whether her real life Kansas persona, Almira Gulch, is going to get the dog Toto or not, they simply left that out of the plot. As a kid, I was worried that nothing had been done to stop the law from taking the dog. Depending on what account you read, up to three dogs had to play Toto, as two were killed during filming. Personally, other than the jump from the bridge at the wicked witch’s castle, I can’t see where any dog could be injured, unless the flying monkeys fell on it during their many mishaps.

The munchkins, who were paid $50 per week, augmented their parts as the flying monkeys of the wicked witch, getting another $25 per week for those roles. Many were injured as the piano wire suspending them broke during filming, sending several to the hospital. Maybe Toto was smashed during one of these mishaps.

The tail of Bert Lahr, the lion, was also suspended by piano wire and worked by a crewmember from a catwalk above.

The house used in the tornado sequence was a tiny model one, not even a foot wide.

The special effects lost the Oscar® that year to the film The Rains Came, which dramatically recreated a famous tragedy in India in 1916, when a rain-weakened dam burst and flooded an inhabited valley.

The part of the wizard was written for W.C. Fields, who turned it down, basically by demanding so much money the studio never agreed to terms.

I never realized until I went to college that poppies (the source of opium and morpine) sent by the wicked witch, made Dorothy’s troupe fall asleep – while snow (sent by the good witch), the nickname for cocaine, made them wake back up. I’m sure this reference is over the heads of most children, though in Baum’s time both drugs were legal and could be bought cheaply at any pharmacy simply by asking for them. In fact, morphine could be bought in bars, usually for a little more than a shot of whiskey. It’s a wonder anyone could even walk home after a trip to a bar.

It took the art department over a week to settle on the shade of yellow for the brick road, finally settling on a basic yellow available for outdoor painting without any remixing.

The monochrome films of Kansas were actually the last to be filmed. King Vidor filmed these scenes, the sixth director that worked on the film if you count producer Mervyn Leroy, also a well-known director. Rather than hand-tint the film sepia, instead the farmhouse was painted sepia, and the clothes were sepia colored.

Directors Richard Thorpe and Lewis Milestone (All Quiet on the Western Front) were dismissed quickly; the only other director to leave his mark was the famour George Cukor (The Women, My Fair Lady). Main credit went to Victor Fleming, who also was the last director to take over Gone With the Wind the following year.

Not really one of my favorites, even as a child I thought the music and acting were pretty lame, nevertheless the restored version is a masterpiece of color and imaginitive visuals. See my review here at 1000 Dvds to See. I didn't appreciate Judy Garland until I saw her singing blues and jazz much later in her career. My current favorite film of hers is Vincente Minnelli's Meet Me in St. Louis, which, for me, has the best Halloween in all of cinema, with bonfires lit in the streets and a fake body thrown on the streetcar tracks. During the Trolley Song, watch for someone yelling out "Hiya, Judy!", causing her to look over but continue the song without missing a beat. This film also features the classic Christmas opp song "Have Yourself a Merry Little Christmas". This was the film that brought Judy together with her future husband Vincente Minnelli, father of their daughter Liza.

Director Vincente Minnelli
and daughter Liza.

Tuesday, August 18, 2009

Top Ranked Fantasy Films

Top Ranked fantasy films from our internet film survey. As you can tell, many of these cross at least two genres, as Wizard of Oz was also the #1 ranked musical, but who could argue that it's major appeal is its creation of a unique and popular fantasy world, one where everyone serves "the great and powerful wizard of oz", who is really an American huckster using illusion and intimidation to control others - some things never change!
© 2009, William L. Sinclair

1. Wizard of Oz, The [Fleming, Victor, 1939, US] #18 -Musical
2. Metropolis [Lang, Fritz, 1927, Germany] #23 -SciFi [photo top]
3. Raiders of the Lost Ark [Spielberg, Steven, 1981, US] #34 -Adventure [rt]
4. 8½ [Fellini, Federico, 1963, Italy] #37 -Drama
5. Sunrise [Murnau, F. W. , 1928, US] #38 -Romance
6. King Kong [Cooper, Merian C. /Ernest B. Schoedsack, 1933, US] #40 -Horror
7. Nosferatu, eine Symphonie des Grauens [Murnau, F. W., 1922, Germany] #48 -Horror
8. Lord of the Rings: The Fellowship of the Ring, The [Jackson, Peter, 2001, US-New Zealand] #84 -War/Adventure
9. Lord of the Rings: The Return of the King, The [Jackson, Peter, 2003, US-New Zealand] #97 -War/Adventure
10. Shining, The [Kubrick, Stanley, 1980, US] #109 -Horror

11. Celine and Julie Go Boating [Rivette, Jacques, 1974, France] #141 -Mystery
12. Exorcist, The [Friedkin, William, 1973, US] #143 -Horror
13. Lord of the Rings: The Two Towers, The [Jackson, Peter, 2002, US-New Zealand] #144 -War/Adventure
14. Pan's Labyrinth [del Toro, Guillermo, 2006, Mexico] #154 -Drama
15. Donnie Darko [Kelly, Richard, 2001, US] #228 -Drama
16. La Belle et la bête (Beauty/Beast) [Cocteau, Jean, 1946, France] #242 -Romance
17. Wings of Desire [Wenders, Wim, 1987, France-W. Germany] #247 -Romance
18. Un Chien Andalou [Buñuel, Luis, 1928, France] #256 -Art
19. Spirited Away [Miyazaki, Hayao, 2001, Japan] #259 -Adventure
20. Les Vampires [Feuillade, Louis , 1916, France] #266 -Horror

21. Matter of Life and Death, A [Powell, Michael/Emeric Pressburger, 1946, UK] #280 -Romance
22. Vampyr [Dreyer, Carl Theodor, 1932, France-Germany] #316 -Horror
23. Night of the Living Dead [Romero, George A., 1968, US] #331 -Horror
24. Voyage dans la lune, Le (Trip to the Moon) [Méliès, Georges, 1902, France] #335 -SciFi
25. Suspiria [Argento, Dario, 1977, Italy] #351 -Horror
26. Orpheus [Cocteau, Jean, 1950, France] #364 -Romance
27. Princess Bride, The [Reiner, Rob, 1987, US] #381 -Comedy
28. Eyes Without a Face [Franju, Georges, 1959, France-Italy] #400 -Horror
29. Thief of Bagdad, The [Powell, Michael, Berger, & Whelan, 1940, UK] #434 -Adventure
30. Miracle in Milan [De Sica, Vittorio, 1951, Italy] #475 -Drama

31. Meshes of the Afternoon [Deren, Maya, 1943, US] #476 -Short
32. Prestige, The [Nolan, Christopher, 2006, US] #486 -Mystery
33. Batman Begins [Nolan, Christopher, 2005, Algeria-Italy] #517 -Adventure
34. Indiana Jones and the Last Crusade [Spielberg, Steven, 1989, US] #519 -Adventure
35. Carrie [De Palma, Brian, 1976, US] #521 -Horror
36. If… [Anderson, Lindsay, 1968, UK] #534 -Drama
37. Mononoke-hime (anime) [Miyazaki, Hayao, 1997, UK] #554 -Adventure
38. Dawn of the Dead [Romero, George A. , 1978, US] #555 -Horror
39. Superman II [Lester, Richard, 1980, US] #556 -Adventure
40. Faust [Murnau, F. W., 1926, Germany] #585 -Horror

41. My Neighbour Totoro [Miyazaki, Hayao, 1988, Japan] #591 -Childrens
42. Eraserhead [Lynch, David, 1977, US] #601 -Horror
43. Werckmeister Harmonies [Tarr, Bela & Hranitzky, Agnes, 2000, Hun-Ity-Gy-France] #613 -Society
44. Fast Runner, The [Kunuk, Zacharias, 2001, Canada] #621 -Drama
45. Dead Man [Jarmusch, Jim, 1995, US-Germany] #637 -Western
46. Evil Dead II [Raimi, Sam, 1987, US] #640 -Horror
47. India Song [Duras, Marguerite, 1975, France] #642 -Romance
48. I Walked with a Zombie [Tourneur, Jacques, 1943, US] #686 -Horror
49. Blood of a Poet, The [Cocteau, Jean, 1930, France] #693 -Drama
50. Videodrome [Cronenberg, David, 1983, Canada] #706 -Horror
51. Innocents, The [Clayton, Jack, 1961, UK] #743 -Horror
52. Time of the Gypsies [Kusturica, Emir, 1988, Yugoslavia] #769 -Crime
53. Big Fish [Burton, Tim, 2003, US] #772 -Comedy
54. Arabian Nights [Pasolini, Pier Paolo, 1974, France-Italy] #866 -Comedy
55. Phantom Carriage, The [Sjöström, Victor, 1921, Sweden] #875 -Horror
56. Orlando [Potter, Sally, 1992, UK-Russ-Fr-Ity-Neth] #910 -Adventure
57. Peter Ibbetson [Hathaway, Henry, 1935, US] #916 -Romance
58. Yeelen [Cissé, Souleymane, 1987, Mali] #944 -Adventure
59. Die Nibelungen [Lang, Fritz, 1924, Germany] #1014 -Adventure
60. Destiny (Between Two Worlds, US) [Lang, Fritz, 1921, US] #1040 -Romance

61. Host, The [Bong, Joon-ho, 2006, Korea] #1046 -Com
62. Tales of Hoffmann, The [Powell, Michael/Emeric Pressburger, 1951, UK] #1058 -Musical
63. Hour of the Wolf [Bergman, Ingmar, 1968, Sweden] #1076 -Horror
64. Dracula [Fisher, Terence, 1958, US] #1109 -Horror
65. Lost Highway [Lynch, David, 1997, US] #1117 -Mystery
66. Kwaidan [Kobayashi, Masaki, 1964, Japan] #1156 -Horror
67. Excalibur [Boorman, John, 1981, UK] #1159 -Adventure
68. Lucifer Rising [Anger, Kenneth, 1972, US] #1166 -Short
69. The Thief of Bagdad [Walsh, Raoul, 1924, US] #1173 -Adventure
70. Kingdom (Riget) [von Trier, Lars, 1994, Den-Fr-Gy-Sweden] #1196 -Horror
71. Heaven Can Wait [Lubitsch, Ernst, 1943, US] #1214 -Comedy
72. Lost Horizon [Capra, Frank, 1937, US] #1232 -Adventure

To These I Would Add
The 5,000 Fingers of Dr. T [Rowland, Roy, 1952] - wonderful kids fantasy of an evil piano teacher, co-written by Dr. Seuss

Defending Your Life [Brooks, Albert, 1991] - afterlife fantasy of Brooks', where he meets Meryl Streep, while on trial for a 'final judgment' with shoddy defense lawyer Rip Torn - hilarious!

Sunday, August 16, 2009

Top Ranked Musicals and Music Films

Top ranked musicals and music films, or those about musicians, from our internet survey. We added dramas (The Red Shoes), comedies (Almost Famous) concert films (Stop Making Sense), and documentaries (Woodstock) to the traditional musical films, basically anything listed that was music related. The top 46 made the overall top 1000 films, but only 3 made the top 100, and one of those (Amadeus) is a bio-historical epic drama, not a traditional musical.
© 2009, William L. Sinclair

1. Wizard of Oz, The [Fleming, Victor, 1939, US] #18
2. Singin' in the Rain [Donen, Stanley/Gene Kelly, 1952, US] #26 [photo top]
3. Amadeus [Forman, Milos, 1984, US] #63
4. Red Shoes, The [Powell, Michael/Emeric Pressburger, 1948, UK] #156
5. Nashville [Altman, Robert, 1975, US] #193
6. West Side Story [Wise, Robert/Jerome Robbins, 1961, US] #253
7. Blue Angel, The [von Sternberg, Josef, 1930, Germany] #273
8. Cabaret [Fosse, Bob, 1972, US] #281
9. Umbrellas of Cherbourg, The [Demy, Jacques, 1964, France-Germany] #289
10. Top Hat [Sandrich, Mark, 1935, US] #290

11. Meet Me in St. Louis [Minnelli, Vincente, 1944, US] #293
12. Band Wagon, The [Minnelli, Vincente, 1953, US] #312
13. Le Million [Clair, René, 1931, France] #318
14. Hard Day's Night, A [Lester, Richard, 1964, UK] #332
15. Star is Born, A [Cukor, George, 1954, US] #333
16. Night at the Opera, A [Wood, Sam, 1935, US] #342
17. American Graffiti [Lucas, George, 1973, US] #356
18. Fantasia [Sharpsteen, Ben, 1940, US] #365
19. Sound of Music, The [Wise, Robert, 1965, US] #369
20. 42nd Street [Bacon, Lloyd, 1933, US] #378

21. An American in Paris [Minnelli, Vincente, 1951, US] #437
22. My Fair Lady [Cukor, George, 1964, US] #439
23. Swing Time [Stevens, George, 1936, US] #448
24. This is Spinal Tap [Reiner, Rob, 1984, US] #471
25. All That Jazz [Fosse, Bob, 1979, US] #483
26. Don't Look Back [Pennebaker, D.A., 1967, US] #545
27. Pyaasa [Dutt, Guru, 1957, India] #561
28. Colour of Pomegranate, The [Parajanov, Sergei, 1968, USSR] #578
29. Young Girls of Rochefort, The [Demy, Jacques, 1967, France] #614
30. Triplets of Belleville, The [Chomet, Sylvain, 2003, France-Belg-Can-UK] #624

31. French Cancan [Renoir, Jean, 1954, France] #625
32. Topsy-Turvy [Leigh, Mike, 1999, UK] #662
33. On the Town [Donen, Stanley/Gene Kelly, 1949, US] #663
34. Almost Famous [Crowe, Cameron, 2000, US] #676
35. Stop Making Sense [Demme, Jonathan, 1984, US] #734
36. Hallelujah! [Vidor, King, 1929, US] #776
37. Chronicle of Anna Magdalena Bach, The [Straub, Jean-Marie, 1968, W. Germany-Italy] #844
38. Kaagaz Ke Phool [Dutt, Guru, 1959, India] #847
39. Threepenny Opera, The [Pabst, G.W., 1931, Germany] #880
40. Pakeezah [Amrohi, Kamal, 1972, India] #887

41. Une Femme est Une Femme[Godard, Jean-Luc, 1961, France] #948
42. Saturday Night Fever [Badham, John, 1977, US] #957
43. Seven Brides for Seven Brothers [Donen, Stanley, 1954, US] #973
44. Festival Express [Smeaton & Cvitanovich, 2003, UK-Neth] #987
45. Gigi [Minnelli, Vincente, 1958, US] #991
46. Gimme Shelter [Maysles, Albert/David Maysles/Charlotte Zwerin, 1970, US] #1002
47. Quadrophenia [Roddam, Franc, 1979, UK] #1004
48. Neil Young: Heart of Gold[Demme, Jonathan, 2006, US] #1013
49. Hedwig and the Angry Inch [Mitchell, John Cameron, 2001, US] #1023
50. Yankee Doodle Dandy [Curtiz, Michael, 1942, US] #1036

51. Tales of Hoffmann, The [Powell, Michael/Emeric Pressburger, 1951, UK] #1058
52. 24 Hour Party People [Winterbottom, Michael, 2002, US] #1063
53. Calle 54 [Trueba, Fernando, 2000, Spain-Fr-Italy] #1087
54. Black Orpheus [Camus, Marcel, 1959, Brazil-France-Italy] #1127
55. Beauty and the Beast [Trousdale, Gary, 1991, US] #1142
56. Gold Diggers of 1933 [LeRoy, Mervyn, 1933, US] #1145
57. Moulin Rouge! [Luhrmann, Baz, 2001, Australia-US] #1187
58. Full Monty [Cattaneo, Peter, 1997, UK] #1202
59. Woodstock [Wadleigh, Michael, 1970, US] #1233

[Note: I removed Yi Yi, some characters take music lessons, but the film is not a musical; music is one subject within a dramatic family story]

To These I Would Add
The Music Man [Da Costa, Morton, 1962] - where the heck is this classic, if they can list Saturday Night Fever and Moulin Rouge?

Chicago [Marshall, Rob, 2002] - one of the few musicals to win best picture, should have made some polls; my favorite Fosse musical on film

The Police: The Synchronicity Concert [Godley and Creme, 1982] - my favorite live concert on film, but #734 Stop Making Sense is better filmed and that audience dances far better!

The Last Waltz [Scorsese, Martin, 1978] - the 'farewell' concert of The Band, considered a classic of live concerts, don't know how it didn't make any polls

The TAMI Show - classic 60's rock and soul concert, with songs from the Stones, Beach Boys, James Brown, Chuck Berry, others; one of the best of its era if you can find it (TAMI = Teenage Awards for Music International)

Good list overall. My own fave is Singin in the Rain; also like My Fair Lady a lot (but more if Julie Andrews had reprised her stage role), the dancing parts of West Side Story, the Astaire classics listed (maybe add Gay Divorcee, for giving us Day and Night and The Continental) and would elevate the concert films Stop Making Sense and Woodstock, and the animated Beauty and the Beast. NO - I would NOT add Rocky Horror Picture Show!

In order to avoid possible brain damage, make sure you avoid Tommy, Ken Russell's musical of the Who's music - yikes! That film is proof that LSD is dangerous in the wrong hands..