Top Ranked Films by Year: the 30s

Based on our compendium of all film polls
[2011 Update Edition]
© William L. Sinclair

This continues our series of top-ranked films by year, based on the Top Ranked 1000 Films on the Net, 2011 Edition that we compiled.

Total Ranked Films in the 30's: 59

- [ 1930 ] -
1. Blue Angel, The (1930) von Sternberg, Josef #196
2. L'Âge d'or (1930) Buñuel, Luis #261
3. All Quiet on the Western Front (1930) Milestone, Lewis #264
4. Earth (1930) Dovzhenko, Alexander #373
5. Blood of a Poet, The (1930) Cocteau, Jean #776
[Gone: Morocco - von Sternberg; Under the Roofs of Paris - Clair, René]
Best Picture: All Quiet on the Western Front

 - [ 1931 ] -
1. M (1931) Lang, Fritz #16
2. City Lights (1931) Chaplin, Charles #27
3. Le Million (1931) Clair, René #445
4. Frankenstein (1931) Whale, James #464
5. À nous la liberté (1931) Clair, René #525
6. Tabu (1931) Murnau, F.W. #605
7. La Chienne (1931) Renoir, Jean #911
[Gone: Threepenny Opera, Limite, Kameradschaft, Public Enemy, Mädchen in Uniform]
Best Picture: Cimarron

- [ 1932 ] -
1. Trouble in Paradise (1932) Lubitsch, Ernst #321
2. Vampyr (1932) Dreyer, Carl #347
3. I Was Born, But… (1932) Ozu, Yasujiro #368
4. Freaks (1932) Browning, Tod #391
5. Scarface (1932) Hawks, Howard #516
6. Boudu Saved from Drowning (1932) Renoir, Jean #674
7. Love Me Tonight (1932) Mamoulian, Rouben #782
8. Que viva Mexico! (1932) Eisenstein, Sergei #891
[Gone: I Am a Fugitive from a Chain Gang, Shanghai Express]
Best Picture: Grand Hotel

- [ 1933 ] -
1. Duck Soup (1933) McCarey, Leo #53
2. King Kong (1933) Cooper, Merian C./Ernest B. Schoedsack #68
3. 42nd Street (1933) Bacon, Lloyd #511
[Gone: Zero for Conduct, Design for Living, Land Without Bread, Outskirts (Okraina), Liebelei]
Best Picture: Cavalcade

 - [ 1934 ] -
1. L'Atalante (1934) Vigo, Jean #88
2. It Happened One Night (1934) Capra, Frank #160
3. Scarlet Empress, The (1934) von Sternberg, Josef #664
4. Man of Aran (1934) Flaherty, Robert #676
5. It's a Gift (1934) McLeod, Norman Z. #686
6. Happiness (1934) Medvedkin, Aleksandr #772
[Gone: Our Daily Bread, The Thin Man]
Best Picture: It Happened One Night

- [ 1935 ] -
1. Bride of Frankenstein (1935) Whale, James #192
2. 39 Steps, The (1935) Hitchcock, Alfred #370
3. Top Hat (1935) Sandrich, Mark #398
4. A Night at the Opera (1935) Wood, Sam #433
5. Triumph of the Will (1935) Riefenstahl, Leni #613
6. Devil is a Woman, The (1935) von Sternberg, Josef #876
[Gone: Peter Ibbetson, The Informer, Carnival in Flanders]
Best Picture: Mutiny on the Bounty

- [ 1936 ] -
1. Modern Times (1936) Chaplin, Charles #9
2. Swing Time (1936) Stevens, George #603
3. Crime of Monsieur Lange, The (1936) Renoir, Jean #619
[Gone: My Man Godfrey, Camille]
Best Picture: The Great Ziegfeld

- [ 1937 ] -
1. Grande Illusion, La (1937) Renoir, Jean #197
2. Snow White and the Seven Dwarfs (1937) Hand, David #296
3. Pépé le Moko (1937) Duvivier, Julien #380
4. Awful Truth, The (1937) McCarey, Leo #513
5. Make Way for Tomorrow (1937) McCarey, Leo #632
6. Angel (1937) Lubitsch, Ernst #979
[Gone: You Only Live Once]
Best Picture: The Life of Emile Zola

- [ 1938 ] -
1. Bringing Up Baby (1938) Hawks, Howard #218
2. Adventures of Robin Hood, The (1938) Curtiz, Michael/William Keighley #227
3. Alexander Nevsky (1938) Eisenstein, Sergei #507
4. Lady Vanishes, The (1938) Hitchcock, Alfred #621
5. Olympia (1938) Riefenstahl, Leni #699
[Gone: Holiday, Port of Shadows, La Bête humaine]
Best Picture: You Can't Take It With You

- [ 1939 ] -
1. Wizard of Oz, The (1939) Fleming, Victor #6
2. Rules of the Game, The (1939) Renoir, Jean #63
3. Gone with the Wind (1939) Fleming, Victor #102
4. Mr. Smith Goes to Washington (1939) Capra, Frank #209
5. Stagecoach (1939) Ford, John #281
6. Ninotchka (1939) Lubitsch, Ernst #470
7. Le Jour se lève (1939) Carné, Marcel #560
8. Only Angels Have Wings (1939) Hawks, Howard #582
9. Story of the Late Chrysanthemums, The (1939) Mizoguchi, Kenji #616
10. Young Mr. Lincoln (1939) Ford, John #864
[Gone: Midnight]
Best Picture: Gone With the Wind

All Ranked Films of the Decade
1. Wizard of Oz, The (1939) Fleming, Victor #6
2. Modern Times (1936) Chaplin, Charles #9
3. M (1931) Lang, Fritz #16
4. City Lights (1931) Chaplin, Charles #27
5. Duck Soup (1933) McCarey, Leo #53
6. Rules of the Game, The (1939) Renoir, Jean #63
7. King Kong (1933) Cooper, Merian C./Ernest B. Schoedsack #68
8. L'Atalante (1934) Vigo, Jean #88
9. Gone with the Wind (1939) Fleming, Victor #102
10. It Happened One Night (1934) Capra, Frank #160
11. Bride of Frankenstein (1935) Whale, James #192
12. Blue Angel, The (1930) von Sternberg, Josef #196
13. Grande Illusion, La (1937) Renoir, Jean #197
14. Mr. Smith Goes to Washington (1939) Capra, Frank #209
15. Bringing Up Baby (1938) Hawks, Howard #218
16. Adventures of Robin Hood, The (1938) Curtiz, Michael/William Keighley #227
17. L'Âge d'or (1930) Buñuel, Luis #261
18. All Quiet on the Western Front (1930) Milestone, Lewis #264
19. Stagecoach (1939) Ford, John #281
20. Snow White and the Seven Dwarfs (1937) Hand, David #296
21. Trouble in Paradise (1932) Lubitsch, Ernst #321
22. Vampyr (1932) Dreyer, Carl #347
23. I Was Born, But… (1932) Ozu, Yasujiro #368
24. 39 Steps, The (1935) Hitchcock, Alfred #370
25. Earth (1930) Dovzhenko, Alexander #373
26. Pépé le Moko (1937) Duvivier, Julien #380
27. Freaks (1932) Browning, Tod #391
28. Top Hat (1935) Sandrich, Mark #398
29. Night at the Opera, A (1935) Wood, Sam #433
30. Le Million (1931) Clair, René #445
31. Frankenstein (1931) Whale, James #464
32. Ninotchka (1939) Lubitsch, Ernst #470
33. Alexander Nevsky (1938) Eisenstein, Sergei #507
34. 42nd Street (1933) Bacon, Lloyd #511
35. Awful Truth, The (1937) McCarey, Leo #513
36. Scarface (1932) Hawks, Howard #516
37. À nous la liberté (1931) Clair, René #525
38. Le Jour se lève (1939) Carné, Marcel #560
39. Only Angels Have Wings (1939) Hawks, Howard #582
40. Swing Time (1936) Stevens, George #603
41. Tabu (1931) Murnau, F.W. #605
42. Triumph of the Will (1935) Riefenstahl, Leni #613
43. Story of the Late Chrysanthemums, The (1939) Mizoguchi, Kenji #616
44. Crime of Monsieur Lange, The (1936) Renoir, Jean #619
45. Lady Vanishes, The (1938) Hitchcock, Alfred #621
46. Make Way for Tomorrow (1937) McCarey, Leo #632
47. Scarlet Empress, The (1934) von Sternberg, Josef #664
48. Boudu Saved from Drowning (1932) Renoir, Jean #674
49. Man of Aran (1934) Flaherty, Robert #676
50. It's a Gift (1934) McLeod, Norman Z. #686
51. Olympia (1938) Riefenstahl, Leni #699
52. Happiness (1934) Medvedkin, Aleksandr #772
53. Blood of a Poet, The (1930) Cocteau, Jean #776
54. Love Me Tonight (1932) Mamoulian, Rouben #782
55. Young Mr. Lincoln (1939) Ford, John #864
56. Devil is a Woman, The (1935) von Sternberg, Josef #876
57. Que viva Mexico! (1932) Eisenstein, Sergei #891
58. La Chienne (1931) Renoir, Jean #911
59. Angel (1937) Lubitsch, Ernst #979

Unranked Best Pictures (7): Cimarron, Grand Hotel, Cavalcade, Mutiny on the Bounty, The Great Ziegfeld, The Life of Emile Zola, You Can't Take It With You

My Favorites

1. Mr. Smith Goes to Washington
2. La Grande Illusion
3. The Rains Came
4. Goodbye, Mr. Chips
5. Duck Soup
6. My Man Godfrey
7. You Can't Take It With You
8. Trouble in Paradise
9. Alexander Nevsky
10. Swing Time
11. Triumph of the Will
12. The Informer
13. M
14. The 39 Steps
15. The Lady Vanishes
16. The Gay Divorcee
17. All Quiet on the Western Front
18. The Wizard of Oz
19. The Awful Truth
20. Olympia
21. Only Angels Have Wings
22. Gone With the Wind
23. The Adventures of Robin Hood
24. The Thin Man
25. The Blue Angel
26. The Life of Emile Zola
27. À nous la liberté
28. Jezebel
29. Snow White and the Seven Dwarfs
30. It's a Gift
31. The Edge of the World
32. The Scarlet Empress
33. A Night at the Opera

Note: I haven't seen L'atalante, it's hard to find on dvd..
I'm not a big Chaplin fan, agreeing with Stanley Kubrick, who said "no one could direct a film in a more pedestrian manner than Chaplin".

Great Film Roles Refused

These famous roles were all refused by the directors first choice, making someone else famous or more so as a result. The Maltese Falcon – George Raft was well-known for turning down roles that made Bogart’s career: High Sierra (41), Maltest Falcon (42), Casablanca (42). He refused Falcon because he didn’t want to work with first-time director John Huston! As for High Sierra, Paul Muni also turned down the part. Casablanca – the role of Ilse was first offered to Hedy Lamarr, who refused as the script was not finished. Ingrid Bergman turned this into the role of a lifetime, and of course the film won best picture and remains a legendary classic of romance. By the way, the phrase "Play it again, Sam" was never spoken, but did become the title of a Woody Allen spoof on Bogart's sex appeal. Lawrence of Arabia – David Lean’s first choice was Marlon Brando, who decided to make another film first, luckily for us after seeing his British officer in Mutiny on the Bountry remake. Rather than wait, Lean went with little-known stage actor Peter O’Toole, who turned in the performance of a lifetime, in one of the best films ever made, winning 7 Oscars, including best picture. This movie also was instrumental in inspiring Martin Scorsese to become a director. The Man With the Golden Arm – another part turned down by Brando, this one reviving the career of Frank Sinatra in a gritty role as a heroin addict. Brando may have performed it better, but Sinatra looks more the part for this. Brando won an Oscar for On the Waterfront (best actor), while Sinatra won one for From Here to Eternity (supporting actor). It Happened One Night – one of my favorite goddesses, the queen of cool Myrna Loy turned down the part of the runaway heiress that won Claudette Colbert an Oscar. In fact, the film was the first (until Cuckoo's Nest) to win the big four of actor, actress (Gable), director (Frank Capra) and picture. I have to believe that Myrna (The Thin Man series) would have been even better in this part, no one shows disdain of maleness quite like her. The Graduate – Robert Redford was first offered the role of Benjamin Braddock by Oscar-winning director Mike Nichols, but he felt that he couldn’t portray the naïve college grad, which of course made star Dustin Hoffman famous. Overall, the casting was excellent, including Buck Henry in a small part as the desk clerk at the hotel where Braddock went for the affair. Giant – Alan Ladd felt that he was too old to play Jett Rink, who was ironically aged with makeup anyway, in the multi-generational epic Giant. The role, of course, went to James Dean, who was nominated for a record two posthumous Oscars (East of Eden was the other), as all three of his films were released after his death in a car wreck. He was driving at a high speed when a car pulled out in front of him on the highway; ironically his passenger only had minor injuries. Sunset Boulevard – Billy Wilder’s scathing noir about the seedy side of Hollywood stardom was first offered to Montgomery Clift, who declined thinking his fans wouldn’t buy him in the part. William Holden was excellent and totally believable as a screenwriter willing to sell his affection for another chance at success. Once again, the entire cast was perfect, especially director Erich von Stroheim as Norma’s idolizing butler and former director. (I was eMailed that Wilder first wanted Mae West for Swanson's role - yikes!) Gone With the Wind – the role of Scarlett was first offered, understandably, to Bette Davis, who had played southern belles before with great success. Thinking she would be co-starring with Errol Flynn, she refused. Vivien Leigh, wife of Laurence Olivier, won her first Oscar in the role; her second would be in A Streetcar Named Desire. The Wizard of Oz – the title part was actually written and tailored for W.C. Fields, who reportedly turned down the part because he wanted 100k and the most that MGM would offer was 75k. It seems like such a small amount for the connection to have been missed, and in fact, Fields’ agent actually said he really wanted to work on the script for You Can’t Cheat an Honest Man instead. My Fair Lady – rather than come out of retirement, James Cagney refused the part offered as Alfred P. Doolittle, father of Eliza. Performing two musical numbers with style and humor (With a Little Bit of Luck, and Get Me To the Church), Stanley Holloway turned in the performance of his career and received the Oscar for supporting actor. The scene where he haggles with Rex Harrison over payment for his daughter is classic. Once again, the audience got lucky here! Bonnie and Clyde – the original actress offered the role of Bonnie was Jane Fonda, but she was married to Roger Vadim at the time, making cult hits Barbarella and The Game Is Over, and didn’t want to come to the states to make films. She ended up doing just that a year later, making They Shoot Horses, Don’t They in 69, which got her first Oscar nomination and moved her up into the ranks of serious drama. Meanwhile, Faye Dunaway used the role of Bonnie to vault into stardom, getting her first Oscar nomination. She would later win for Network, while Fonda won two, for Klute and Coming Home. Ben-Hur – the title role was first turned down by Burt Lancaster, whose athleticism and build would have been perfect for this. Instead, Charlton Heston won his only Oscar in Wyler’s record-setting 11 Oscar movie. Heston had taken a supporting part in Wyler’s The Big Country just before this, so he was due a starring role. All actors wanted to work with Wyler, whose was notorious for winning Oscars, as his films were nominated for a record 127 Oscars, winning a record 39. The Three Faces of Eve – choosing her roles very selectively, Eva Marie Saint turned this role down (in spite of her name!), and Joanne Woodward turned in the performance of her career as a women with at least three distinct personalities, winning her only Oscar as best actress. Of course, she later married actor Paul Newman, who won his only Oscar for The Color of Money, a reward for a career of distinctive roles.